Boris Eifman’s ballet Anna Karenina is a true burst of inner psychological energy and is amazingly precise in delivering emotional impact upon its viewers. By setting aside all secondary storylines in Leo Tolstoy’s novel, the choreographer focused on the love triangle “Anna – Karenin – Vronsky”.
In his ballet, Boris Eifman managed to portray the drama of a woman being reborn using dance language. According to the choreographer, it is the love passion, the “basic instinct” which has led the heroine to the breach of the then-current norms of social morality, killed motherly love in Anna Karenina and destroyed her inner world. Being so completely consumed and crushed by passion, a woman is ready for any sacrifice.
The choreographer says that his ballet speaks not of previous times but of today: the timeless emotional content of the performance and obvious parallels to reality can’t leave the contemporary viewer indifferent. The brilliant technical mastery of the company’s dancers and Boris Eifman’s astounding choreography present to us in a remarkably impressive way all the aspects and peripeteia of Tolstoy’s novel.
“Ballet is a very specific realm where psychological drama is reenacted and fulfilled; it is an opportunity to get an insight into the subconscious. Every new production is a search for the unknown.”- Boris Eifman.
Proof of Vaccination is not required for this performance.
A ballet by Boris Eifman
Based on the novel by Leo Tolstoy
Music: Pyotr Tchaikovsky
Sets: Zinovy Margolin
Costumes: Vyacheslav Okunev
Light: Gleb Filshtinsky
Dates: 2 - 4 Dec 2021
- 2 Dec - 8 pm
- 3 Dec - 2 pm & 8 pm
- 4 Dec - 8 pm
- 2+ years would require a ticket to enter the Auditorium.
- Below 2 years are not permitted into the Auditorium.
- Patrons under 16 years old must be accompanied by an adult.
Image Credit: Dubai Opera
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