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The Wrong Geng 2.0

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Conceptualised and performed by dance artist Norhaizad Adam, The Wrong Geng 2.0 is a solo dance performance from the perspective of the jantan joget (male dancer).

Here, he negotiates the social, imaginative and affective aspects of human labour within contemporary capitalism, while posing the question: What if the role of the perempuan joget (female dancer) was undertaken by a cis-male?

Historically, joget, also known as ronggeng, has been recognised for its lively beats and fast-paced rhythms. It has always been a form of music and dance that encourages interaction between male and female performers, a means of expressing flirtatious intent as well as courtship. This was particularly true for the dance halls within the entertainment parks of 1930s to 1960s Singapore.

The term “wrong geng” is a play on the term ronggeng, which reflects the stigma of joget dancers as “dirty”, speculating on the contentions of Malay conservatives who may perceive joget as an erotic and titillating social past time. Today, joget has been sanitised and modernised. Currently it is practiced as a respectable Singapore Malay dance form and commonly performed at festive events such as weddings and gatherings. Equal parts playful and challenging, The Wrong Geng 2.0 confronts the myriad perspectives towards labour in dance, running parallel with Norhaizad Adam’s practice of addressing Malay identity through movement and performance.

The earlier iteration of this performance, The Wrong Geng, was first commissioned by Esplanade – Theatres on the Bay in 2018, presented under the Pentas series in the dance showcase, Joget.

About Norhaizad Adam

Norhaizad Adam is a Malay dancer, dance artist, and performance maker who was born, raised, and currently living in Singapore. His works are interested in themes of morality and behaviorism in Malay culture within the context of post-colonialism and socio-political change. He reimagines and uses the Malay folk form as a strategy to navigate society’s systemic structures and stereotypes. Currently, he is the Artistic Director of P7:1SMA, a dance performance company that hopes to radically shift the perspective of Malay identity through intimate and innovative performance experiences. He has presented his work in Italy (Venice International Performance Art Week), Australia (Mapping Melbourne), Taipei (Asia Discovers Asia Meeting), France (Paris Summer Academy), Austria (ImPulsTanz), Indonesia (NuArt), and notable events in Singapore. In 2021, he received the National Art Council’s Young Artist Award.

Limited concessions for students, PWDs, NSFs and seniors: $28

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